Notre projet vise la valorisation de Kouvé par la création d’un bassin, autour et sur lequel s’organisent les activités ludiques et de détentes. Il s’inscrit dans une approche d’attraction touristique et de développement socio-économique et culturel, un projet respectueux de l’environnement (utilisation des matériaux locaux…) et à charges maitrisées.

Wakaliwood, a local filming studio that thrives on improvised material and content. The project sought to celebrate this through use of improvised material and design techniques while responding to the brief. The site is composed of five different blocks for filming and the site as the final scene

House Wisse or, ‘Sonvanger’ as its inhabitants affectionately call it, stands as a home where one can leave their troubles at the door and where one is invited to connect with nature through observing the subtle shifts in its daily and seasonal rhythms.

We initiated the documentary _Spaces to record aspects of informality, following a strong belief that the informal sector offers important lessons about architecture and its social role. Public discussion of the series and its topic led to this book, providing expert opinions on potentials of informality for formal city planning.

Future can’t be predetermined, thus the building can’t be predetermined it only suggest the general framework for possibilities, flexible adoptable spaces connected by variety of routings in a scenographic settings takes people through a journey to the upcoming. And as Knowledge is the basis for existence, atop of the project plinth rise humanity “the existence” as known in its active daily pattern.

A house for a father and 2 sons, The brief argued for a flexible house with clear ownership division among the brothers with the possibility of ownership changes, in addition, the spaces should be flexible enough to accommodate future user changes.

The Moruleng Cultural Precinct forces a rethink of the notion of the rural cultural museum. The layering of new and heritage architectural structures and landscape are an integral part of the exhibition and narrative experience.

A minimalist and clean line design approach was followed to create a headquarters building for the South African Customs Union that showcases and represents all member states (Botswana, Lesotho, Namibia, South Africa and Swaziland). The building is intended to become a symbol of unity of the member states of SACU.

The building as a village. A contemporary mixed use building in an established residential neighbourhood on the fringe of the Windhoek CBD. A series of solid and voids are arranged along a street that leads via a generous public scaled staircase up from Luther street.